Bhagavadgita Pages, Chapters 1 to 18
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Author: Manavaachakam Kadantaan (13th century)
Language: Tamil
Subject: Basis of Saiva Siddhanta
Related articles and links: Primer in Saiva Siddhanta TATTVAS-36
Translation: V.Krishnaraj
Unmai Vilakkam = ¯ñ¨Á Å¢Çì¸õ = Truth Elucidation or Explication
Truth is eternal and this treatise explains the Truth or the principles of Saiva Siddhanta whose triad is Pati-Pasu-pasa (The Lord-souls-impurities). The impurities that shroud the soul are Anavam, Mayai and Kanmam (¬½Åõ, Á¡¨Â, ¸ýÁõ). Meykantaar was the preceptor of Kadantaan, who dutifully rendered his teachings into verses.
The first verse is invocation of and homage to Lord Vinaayaka, the Lord of beginnings.
Invocation of Ganesa
Åñ¨Á¾Õõ ¬¸Ááø ¨Åò¾ ¦À¡Õû ÅØÅ¡
¯ñ¨Á Å¢Çì¸õ ¯¨Ã¦ºöÂò -- ¾¢ñÁ¾õ§º÷
«ó¾¢¿¢Èò ¾ó¾¢Ó¸ò ¦¾¡ó¾¢Å¢üÚ ³í¸Ã¨Éô
Àó¾õ «Èô Òó¾¢Ôû ¨ÅôÀ¡õ --01
Åñ¨Á = Truth. ¾¢ñÁ¾õ = strong musth or must. «ó¾¢ = twilight. ¾ó¾¢ = male elephant. ¦¾¡ó¾¢ = large belly. ³í¸Ãý = five hands = proboscis plus four legs. Àó¾õ = bondage. Òó¾¢ = Buddhi or knowledge
Agamas explicate the Truth. Without deviating from its principles, elucidation of Truth will be presented here. Let us embrace Vinayaka who is of the color of twilight, who is of the face of the elephant in strong musth, who sports a large belly, and who owns five hands. Let us abide in His knowledge to remove the bondage.
Any endeavor begins with homage and invocation of the Lord of beginnings, Vinayaka (Å¢¿¡Â¸ý), who removes all obstacles and facilitates success.
Eulogy of Guru Meykanda and supplication to him
¦À¡ö¸¡ðÊô ¦À¡ö «¸üÈ¢ô §À¡¾¡Éó¾ô ¦À¡ÕÇ¡õ
¦Áö¸¡ðÎõ ¦Áö¸ñ¼¡ö! Å¢ñ½ôÀõ -- ¦À¡ö¸¡ð¼¡
¦Áö¡! ¾¢Õ¦Åñ¨½ Å¢ò¾¸¡! Íò¾Å¢É¡
³Â¡ ¿£ ¾¡ý §¸ðÎ «Õû. (02)
¦À¡ö = untruth, falsity, lie. §À¡¾¡Éó¾õ = wisdom + beatitude (bliss). ¦À¡Õû = essence. ¦Áö = Truth. Å¢ñ½ôÀõ = supplication, petition, recitation. Å¢ò¾¸ý. = wise person, (Bhairava, Siva).
He showed me the falsity and removed it. He is the embodiment and essence of wisdom and Bliss. He is the revealer of Truth; He is Meykandan himself. This is my supplication. O wise man of Tiruvennai, the suppressor of falsity and revealer of Truth. Please listen to me in grace and shower me with Grace.
Kadantan is offering his thanks to his Guru Meykandan for revealing the falsity of doctrines, removing them, and offering him Bliss-wisdom. Commentators point to Falsity (¦À¡ö) as Paasam (À¡ºõ = bondage). It is important first to show what darkness, falsity and ignorance are and then reveal light, Truth and knowledge.
¬È¡Ú ¾òÐÅõ ²Ð? ¬½Åõ ²Ð? «ý§È ¾¡ý
Á¡È¡ Å¢¨É ²Ð? ÁüÚ þÅüÈ¢ý -- §ÅÚ ¬¸¡
¿¡ý ²Ð? ¿£ ²Ð? ¿¼õ «ï¦ºØòÐò
¾¡ý ²Ð? §¾º¢¸§É! º¡üÚ (3)
¬È¡Ú = 6x6 = 36. ¾òÐÅõ = Tattvas = Truth, reality, substance, categories, building blocks. ¬½Åõ = Anava Malam = the impurity of Egotism. Å¢¨É = Karma. «ï¦ºØòÐ = five syllables, Five syllable mantra, Na-Ma-Si-Va-Ya. §¾º¢¸ý = spiritual teacher.
What are the 36 Tattvas? What is Egotism? What is changeless Karma since then? From any of these, am I any different? Who are you? What are the Lord's dance and the five syllables? O my spiritual teacher, elucidate (and declare) these for me.
These are the five questions he poses to his Guru. Tattvas 36 in number are the building blocks of the universe of beings and matter. Sankhya Tattvas have only 25 Tattvas.
Question 1: The Tattvas. There is a table that shows the Tattvas.
Question 2: Anava Malam is a recalcitrant impurity of the soul. It is Egotism. It is the physical feeling of I-ness, and mineness. It is body consciousness and not soul consciousness. Anava Malam is like a cataract in the eye and prevents the soul from seeing the light of spiritual wisdom. Anava Malam makes the man believe that he is the body and not the soul. This body consciousness prevents the soul from obtaining Sattinipatam (ºò¾¢¿¢À¡¾õ), descent of Sakti into the soul. As long as the soul is impure and laden with Anava and other malas, it cannot merge with Siva-Sakti.
Siddhantist says that soul and Mala coexist; Mala in its turn associates with Maya and Karma, the latter two are compared to inner and outer sheaths (husk) enveloping the grain of rice. Intermittently, the soul is subject to Maya and Karma during life, while Anava Mala binds the soul constantly; Grace of Siva removes the fetter of Anava Mala and facilitates merger of the soul with Him. Though the soul is subject to Maya intermittently, the soul has Maya as its baggage (or monkey on the back, a burden) throughout its sojourn in the body, heaven, hell, birth and rebirth until the soul is released. Let me give you a simple example with explanation. Maya gives man its products to build a body, organs and functions around the soul in the phenomenal world. Soul exists in Sukshma (subtle) state without the body in heaven, hell and other Mandalas. In this Sukshma state, the soul moves around free of body but not free of Maya, which the soul needs at short notice for building its body for life on this planet. Maya is like tent and stuff nomadic people carry on their back; whenever there is an urge to stay in one place for a short time, the poles, frames, ropes and pegs are laid out and the canvas is spread over the frames and poles. Release of the soul means that the soul is divested of its body, Maya, and Malas (impurities like Anava Mala).
As said earlier, dissolution of the world does not mean that the soul is free to merge with Siva. You may call this as a sleep state for the soul; when creation takes place again, the soul with its burdensome erstwhile sleepy companions Karma, Anava Mala and Maya come together to give the soul a body. Remember that the soul carries a chronology of its karma.
Maya and its products are Asat and Acit and Siva is Sat and Cit. Sat = Being; eternal; changeless. Asat = not Being; susceptible to change. Acit = insentient. Maya is unconscious and insentient, while Siva is Supreme Consciousness and existent. Siva is Sat and Cit because he is eternal and does not acquire knowledge by observation or from somebody else. The material world appears, stays for a while and disappears, all beyond its control, and that is Asat and Acit; matter is impermanent, analyzable, knowable by its gunas or qualities and changeable; that is Asat and Acit. The world is visible in its gross form (Sthula); it is invisible in its subtle form (when it involutes, Sukshma); therefore, it is Asat. Sat = Being; eternal; changeless. Asat = not Being; susceptible to change. Acit = insentient.
God is eternal, unknowable, immutable, unanalyzable, and superconscious and therefore, Sat and Cit. Sat is Being and Asat is non-being. Sat is real, while Asat is mirage. Sat exists on its own, while Asat exists because of Sat (Sat dependence). The world, Anavamala, karma, and Maya are changeable and so, Asat.
Maya is not part of Cit or Superconsciousness of Siva; Maya is apart from him and is subject to his Will. Siva Sakti activates Maya but has no control over its compass. Once Maya evolves into building blocks of the universe and beings, Siva does not alter its expansion, contraction, limitation, extent, variability, complexity, or direction --those of matter. The matter has its own guna (quality); its evolution, variability and variety are intrinsic to it; its compass is under the direction of Karma, which is also external to Siva. Siva is Sat and Cit and therefore, Maya, which is Asat and Acit (Changeable and unconscious matter) cannot be traced back to him. They all stop with Mayeya and Sakti which straddles the chasm between matter and Siva. Living entities which evolve from Maya are subject to Karma and Anava Malas (impurities); that being the case, Siva cannot contain in his constitution (mass of Bliss) Maya, which can be traced back to him. That is the argument of the Siddhantist.

All Saiva Siddhanta Tattvas of Pure and Impure category are derived from MāyA6, which is under the aegis of Sakti2 (Sakti Tattva). Siva1, Sakti2, Sadasiva3, Isvara4, Sadvidya5 are the Suddha Tattvas (Pure Tattvas); MāyA6, Kāla7, Niyati8, Kalā9, Vidya10, Rāga11, Purusa12 are the Suddha-Asuddha Tattvas (Pure-Impure); Prakrti Tattva13, Buddhi14, Ahamkara15, Manas16, hearing17 tactile sense18, vision and color19, tasting20, smell21, speech22, grasp23, ambulation24, evacuation25, procreation26, sound27, palpation28, form29, taste30, odor31, ether32, air33, fire34, water35 Earth36 are the Asuddha Tattvas (Impure).
TATTVAS-36: These are the Saiva Tattvas, 36 in number as compared to 25 Samkhya Tattvas.
Siva1, Sakti2, Sadasiva3, Isvara4, Sadvidya5, MāyA6, Kāla7, Niyati8, Kalā9, Vidya10, Rāga11, Purusa12 Prakrti Tattva13, Buddhi14, Ahamkara15, Manas16, hearing17 tactile sense18, vision and color19, tasting20, smell21, speech22, grasp23, ambulation24, evacuation25, procreation26, sound27, palpation28, form29, taste30, odor31, ether32, air33, fire34, water35 Earth36.
Samkhya Tattvas do not have Siva1, Sakti2, Sadasiva3, Isvara4, Sadvidya5, MāyA6, Kāla7, Niyati8, Kalā9, Vidya10, Rāga11
Question 3: Changeless Karma. Karma is thought, word, and deed and their fruits. Karma is a dogged pursuer and hounds a soul even after death, thus making it subject to rebirth and death and the endless cycle. The best solution is Malaparipakam (
ÁÄÀ¡¢À¡¸õ) equable resolution of punyam and papam, which means that both are brought to a null state. The karma slate is wiped clean, thus making the soul ready for merger.Question 4: From any of these, am I any different? Who are you? 'These' indicates the Anava, Karma and Maya Malas besieging the soul. You are the afflicted soul.
Question 5: What are the Lord's dance and the five syllables? Siva is the Guru and appears as Guru on earth for the benefit of the spiritual aspirant. Siva is the Dancer; His dance is Ananda Tandavam (Bliss Dance) involved in five acts of Siva: Sristi, Sthiti, Samhara, Tirobhava and Anugraha (Creation, maintenance, destruction, concealment and Grace). The Five Syllables: Na Ma Si Va Ya. it is the Mantra for salvation.
Tattvas and their different numerical placements in Samkhya and Saiva Tattvas.
| Tattva | Samkhya (25) | Saiva Tattvas (36) |
| Purusha | Purusha1 | Purusa12 |
| Prakrti | Prakrti 2 | Prakrti Tattva13 |
| Buddhi | Buddhi3 | Buddhi14 |
| Ahamkara | Ahamkara4 | Ahamkara15 |
| Mind | Mind 5 | Manas16 |
| Hearing Touching Seeing Tasting Smelling |
Hearing6 Touching7 Seeing8 Tasting9 Smelling10 |
hearing17
tactile sense18 vision and color19 tasting20 smell21 |
| Speech Grasp Walk Excretion Generation |
Speech11 Grasp12 Walk13 Excretion14 Generation15 |
speech22 grasp23 ambulation24 (walk) evacuation25 (Excretion) procreation26 (Generation) |
| Sound Touch Form Taste Smell |
Sound16
Touch17 Form18 Taste19 Smell20 |
Sound27 palpation28 form29 taste30 odor31 |
| Space Air Fire Water Earth |
Space 21 Air22 Fire23 Water24 Earth25 |
ether32 (Space) air33 fire34 water35 Earth36 |
There are 36 Saiva Tattvas (building blocks or principles). Buddhi is the 14th Tattva. The first five are Suddha or Pure Tattvas (1-5). The second 7 Tattvas are Suddha-Asuddha or Pure-Impure Tattvas (6-12). The Third category of Tattvas are Asuddha or Impure Tattvas (13-36).
¯ûÇÀÊ þò¨¾ ¯¨Ãì¸ì §¸û ¯ý ¾ÉìÌ
ÅûÇø «ÕÇ¡ø «ýÚ Å¡öÁÄ÷óÐ -- ¦¾ûǢº£÷
¬¸Áí¸û ¦º¡ýÉ «¨¼Å¢§Ä ¬Éó¾
§Â¡¸õ ¿¢¸ú Ò¾øÅ¡! ¯üÚ (4)
¯ûÇÀÊ = As it is. ÅûÇø «ÕÇ¡ø = Liberal donor, Benefactor grace = Siva's Grace. ¦¾ûǢº£÷ = clear Grace, beauty, fame. ¬Éó¾ §Â¡¸õ ¿¢¸ú Ò¾øÅ¡: O son, abiding in Yoga of Bliss.
O son abiding in Yoga of Bliss. The Great Benefactor (Siva) uttered from his floral lips with grace the Agamas brimming with abundant grace. Told (Expounded by me) as it is, listen to this. --4
Meykandar calls Kadantar as his son abiding in Yoga of Bliss. In Saiva tradition, an aspirant engages in Chariyai, Kriyai, yogam and Jnanam (º¡¢¨Â, ¸¢¡¢¨Â, §Â¡¸õ, »¡Éõ) as paths to Siva.
Agama = Acquisition of knowledge, science. Saiva Agamas glorify Siva and form the basis of Saiva Siddhanta philosophy. Vaishnava Agamas glorify Vishnu and Sakta Agamas, the mother goddess. There are many things common with Vedas but Agamas derive authority from their respective Gods, Siva, Vishnu, and Mother Goddess.
Agamas are egalitarian, intellectual, yogic, exoteric and esoteric Manual of Philosophy, Means and Realization, covering all possible devotional, inclinational and intellectual bent. Transmission of Tantras (Agamas and Nigamas) from Guru to Sisya was witnessed, approved and blessed by Vasudeva (Krishna). It is called Agama because it emanated from the mouth of Sambhu (Siva) and went to Girija; it is called Nigama, because it emanated from the mouth of Girija (Parvati, daughter of Mountain, Himavat) and went to Girisa (the Lord of the mountain, Siva). Âgata = come from (mouth of Siva). Gâta = going into (ears of Girija, Uma or Parvati). Abhi-mata = longed for, approved (by Vasudeva or Vishnu). Âgata + Gâta + Abhi-mata = Âgama. Agama is acronym for Agata Gata Abhimata. Nigama = Ni + ga + ma = Nirgata + gata + sammata = go out (of the mouth of Girija, Uma or Parvati) + going into (Siva) + being of the same opinion, agreed to, approved by Vasudeva)
Prakrti Tattva13 (Asuddha Tattva) gives rise to all distal Tattvas ranging from Buddhi14 to Earth 36. The Tattvas and TAtvikas (¾¡òÐÅ¢¸õ = That which is connected with tattva) are fourfold: Tanu = ¾Û = body; Karanam = ¸Ã½õ = Instruments of the body, organs of sense; Bhuvanam = ÒÅÉõ = World; Bhogam = §À¡ì¸¢Âõ = objects of enjoyment. Purusa12 the soul is the overlord or enjoyer of all these Tattvas from Prakrti Tattva13 to Earth36.
The Tattvas are called BhogyakAndam (§À¡ì¸¢Â¸¡ñ¼õ = a class of categories under Suddha-Asuddhatattvam and Asuddha Tattvam)The soul enjoys this body and the world made of Tattvas. All Tattvas distal to Purusha have three qualities: Sattva, Rajas and Tamas (Virtue; motion and passion; darkness). SAttva is white; Rajas is red; Tamas is black. Take water: water in liquid state at room temperature is Sattva; Steam is Rajas; Ice is Tamas. These three Gunas account for the plethora and panoply of personalities and behavior patterns of people in the world.
நாற்கோணம் பூமி; புனல் நண்ணும் மதியின்பாதி
ஏற்கும் அனல் முக்கோணம் எப்போதும் -- ஆக்கும்
அறுகோணம் கால்; வட்டம் ஆகாயம்; ஆன்மா
உறுகாயம் ஆம் இவற்றால் உற்று --5
நாற்கோணம் பூமி = Four-angle Earth = Square earth. In India, the icon for earth is a Square, (yellow in color). புனல் நண்ணும் மதியின்பாதி = Water like the half-moon = the icon of water is half-moon. ஏற்கும் அனல் முக்கோணம் = destructive Fire is a Triangle; ஆக்கும் அறுகோணம் கால் = moving wind is a Hexagon. வட்டம் ஆகாயம் = Ether (space) is round. ஆன்மா உறுகாயம் ஆம் இவற்றால் உற்று = The soul obtains a body made of these as aid above.
The earth is yellow square; water is half-moon; Fire is a triangle; wind is a Hexagon (round in the picture); Ether is round (oval in the picture). The soul has a body made of these elements.
These are the shapes of the five Tattvas in the body. Compare this to the Chakras and the resident elements in each of the Kundalini Chakras.
There are minor variations in the portrayal of colors and shapes of these elements. Body has six centers: one at the uro-genital triangle (Muladhara Chakra); one at the genitals (Svadhistana); one at the navel (Manipura); one at the heart (Anahata); one at the throat (Visiddha); and one at the forehead middle (Ajna).
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பொன்பார் புனல்வெண்மை பொங்கும் அனல்சிவப்பு
வன்கால் கருமை வளர் வான்தூமம் -- என்பார்
எழுத்து லவரய அப்பாராதிக்கு என்றும்
அழுத்தமதாய் நிற்கும் அது.--6
பொன்பார் = Earth is golden. புனல்வெண்மை = Water is white. பொங்கும் அனல்சிவப்பு = boiling (blazing) Fire is red. வன்கால் கருமை = strong wind is black. வளர் வான்தூமம் = Expanding space is smoke-colored. என்பார் = thus they say. எழுத்து லவரயஅ பாராதிக்கு என்றும் அழுத்தமதாய் நிற்கும் அது. = The letters (syllables) La, Va, Ra, Ya, Ha = Lam, Vam, Ram, Yam, Ham in Sanskrit are associated with Earth and other elements: these root-letters (Bija letters in Sanskrit) are firmly established in them. --6
Bija Mantras are based on Syllables (Tamil and Sanskrit). This is the Natural Sound that an object makes whether the human ear hears or not. Take the fire; it makes the sound Ra. This sound is heard by the Absolute Ear of the Absolute Lord. He passes the sound to the Yogi who has with his relative ear. More on this below the diagram.

குறி குலிசம் கோகனதம் கொள்சுவத்தி குன்றா
அறுபுள்ளி ஆர் அமுத விந்து -- பிறிவு இன்றி
மண் புனல் தீககால் வானம் மன்னும் அடைவே என்று
ஒண் புதல்வா! ஆகமம் ஓதும்.--7
குறி = symbol. குலிசம் = Indra's Thunderbolt. சுவத்தி = Swastika. அறுபுள்ள = six dots. அமுத விந்து = Amirta Bindu. மண் புனல் தீககால் வானம் = Earth, Water, Fire, Air, Ether. ஒண் புதல்வா! = Wonderful son. ஆகமம் ஓதும். = Agamas declare.
The symbol of Earth is Thunderbolt, of Water is lotus, of Fire is Swastika, of air is six dots, and of space is Amrta-Bindu. O wonderful son! The Agamas declare this.
Earth = Thunderbolt. Water = Lotus. Fire = Swastika. Wind = 6 dots. Ether (AkAsa) = Amrta Bindu.
பார் ஆதி ஐந்தும் பன்னும் அதி தெய்வங்கள்
ஆர் ஆர் அயன் ஆதி ஐவராம் -- ஓர் ஓர்
தொழில் அவர்க்குச் சொல்லுங்கால் தோற்றம் முதல் ஐந்தும்
பழுதறவே பண்ணுவர்¸û பார்--8
The words in this verse are very simple and common and strung together beautifully.
Beginning with Earth, the presiding deities of the five elements are five beginning with Brahma. Enumerating their functions individually, they are five beginning with Creation. Behold, their performance will be flawless.
படைப்பன் அயன்; அளிப்பன் பங்கயக்கண் மாயன்;
துடைப்பன் உருத்திரனும்; சொல்லில் -- திடப்பெறவே
என்றும் திரோபவிப்பர் ஈசர்; சதாசிவரும்
அன்றே அநுக்கிரகர் ஆம்.--9
The words in this verse have the breeze of ease and simplicity.
The Creator is Ayan (அயன்= Brahma); the Sustainer is lotus-eyed MAyan (Á¡Âý = Vishnu); The destroyer துடைப்பன் ) is Rudra; Isa (ஈசர் = Mahesvara) exercises Tirobhava (திரோபவம் = Veiling); Sadasiva confers Anugraha (அநுக்கிரகம் = Grace before liberation). Primer in Saiva Siddhanta

Continued
படைப்பன் அயன்; அளிப்பன் பங்கயக்கண் மாயன்;
துடைப்பன் உருத்திரனும்; சொல்லில் -- திடப்பெறவே
என்றும் திரோபவிப்பர் ஈசர்; சதாசிவரும்
அன்றே அநுக்கிரகர் ஆம்.--9
The soul exists in three states: Kevala Avastha, Sakala Avastha, and Suddha Avastha.
Before Birth: Kevala Avastha = Kevala-k-kitai =
During life on Earth: Sakala Avastha = சகலாவத்தை cakalāvattai: Condition of the soul in the phenomenal world in Jagrat, Sopanam, Susupti, Turiyam and Turiyatitam (Awake, Dream, Deep Sleep, 4th, and end of 4th state). The soul in embodied state (We the people with soul and body) are in 5 sub-states: We are awake and walk around: that is awake state. We dream; we have deep sleep; very few of us go into the state of Turiya, transcendental Consciousness; very few of us go into Turiyatitia, wherein the Yogi becomes one with the Lord. Awake, dream sleep and deep sleep states are ordinary states of every person. Yogis only attain Turiya and Turiyatita states.
After death and liberation: Suddha Avastha.

The soul is laden with Anava Mala, the I-factor in Kevala state before birth and Sakala state during life. It must be removed before the soul can become one with Siva, because Siva is pure and stainless. To remove this impurity one needs detergent, which comes in the form of Maya Mala. The question is why Siva Sakti uses Maya Mala to shed some light on the soul and also partially remove Anava Mala. Why does Siva Sakti use one Mala (Maya) to remove another Mala (Anava)? The argument goes as follows: Washerman uses soap or detergent (compared to Maya Mala) to remove a more ingrained dirt (compared to Anava Mala) from the clothes. Thus by partial cleansing, Maya prepares the soul ingrained with Anava Mala for greater purification by Siva Sakti. (Remember the washer man beats the clothes on a flat slab of stone to remove the dirt along with the detergent.) In modern parlance, the soul in Sakala state attends the school of hard knocks in this phenomenal world; hard knocks of daily living mature and "ripen" the Malas, which when completely ripened, fall off and the soul goes to the next state, Suddha Avastha (pure state). The soul goes through spiritual evolution of this kind over many human births and this progress is proportional to the attenuation of Anava Mala (¬½ÅÁÄõ), which, when expunged with the Grace of God, results in liberation. That is Suddha Avastha.
மண் கடினமாய்த் தரிக்கும் ; வாரிகுளிர்ந்தே பதம்
ஆம்
ஒண்கனல் சுட்டு ஒன்றுவிக்கும் ஓவாமல் -- வண்கால்
பரந்து சலித்துத் திரட்டும் பார்க்கில் ஆகாயம்
நிரந்தரமாய் நிற்கும் நிறைந்து.--10
The Hard Earth supports and sustains; Water is cool and gentle. Brilliant Fire burns and renders all into one: ash; Ceaseless (restless) strong Wind heaves, shakes and gathers things. If you look into it, the space stands for ever in plenitude.
சலித்து To move, to shake.
உள்ளபடி மாபூதம் ஓதினோம் உன்றனக்குக்
கள்ளம்மிகும் ஐம்புலனும் கட்டுரைக்கில் -- மெள்ளவே
ஓசை பரிசம் உருவம் சுவை நாற்றம்
ஆசை தரும் ஐம்புலனே ஆம் --11
கள்ளம்மிகும = full of sly.
The Sly Five
We spoke of the true nature of the Great Elements (Maha Bhutas = மாபூதம் ) to you. The sly five sense organs of Sound, Touch, Form, Taste and Odor ( Ear, Skin, Eyes, Tongue and Nose) engender desire.
ஞானேந்திரியங்கள் நன்றாய்க் உரைக்கக்கேள்
ஊனம் மிகுபூதம் உற்றிடமா -- ஈனமாம்
சத்தாதியை அறியும் தானம் செவி தோல் கண்
அத்தாலு மூக்கு என்று அறி. --12
Listen well the explication of Janendriyas. The Bhutas have their intrinsic loci, which apprehend the sound and the like. Understand that the ears, skin, eyes and nose apprehend.
The ears, the skin, the eyes the tongue and the nose are the sense-organs known as Janendriyas.
வானிடமாய் நின்று செவி மன்னும் ஒலியதனை
ஈனமிகும் தோல் கால் இடமாக -- ஊனப்
பரிசம் தனை அறியும் பார்வையில் கண் அங்கி
விரவி உருவம் காணுமே.--13
The ear perceives sound abiding in space. Wind aids perception of touch by the skin. Fire aids perception of form by the eye.
நன்றாக நீர் இடமாக நா இரதம் தான் அறியும்
பொன்றா மணம் மூக்கும் பூ இடமா -- நின்று அறியும்
என்று ஓதும் அன்றே இறை ஆகமம் இதனை
வென்றார் சென்றார் இன்ப வீடு.-14.
இன்ப வீடு. = House of Bliss.
By water, the tongue perceives taste well. By Earth, the nose apprehends the smell. Thus, the Agamas of gods declare. They who conquered this, will go to the House of Bliss. --14
Tanmatras namely sound, touch, color, taste, and smell are the subtle, supersensible, rudimentary and nonspecific particles from which the gross elements namely akasa, air, fire, water, and earth evolve respectively. There are two divisions in the gross (great) elements (Mahabhutas): Amurtta and Murtta, the formless and the formed. Akasa and air are formless elements, while fire, water and earth formed.
Panchadasi (2.88) says that Akasa is the most extensive element compared to the rest. Quantitatively starting from air each element is 10% of the former element. It attributes this statement to Puranas.
The
tanmatras (merely that) are nonspecific in the sense that they lack qualities (according
to Samkhya philosophy) such as Sattva, Rajas, and Tamas or calmness,
turbulence and delusion. When the transformation takes place from the subtle to
the gross, the gross elements acquire qualities. These gross elements again in
turn are responsible for products downstream such as hearing, tactile sense,
vision, taste, and smell collectively called sensory functions. The latter have
corresponding peripheral organs to receive the respective sensations, namely the
ear, the skin, the eyes, the tongue, and the nose, which again have their own
respective brain centers.
|
Tanmātras
― Subtle Elements |
Sound |
Touch |
Color |
Taste |
Smell |
|
Gross
Elements |
Ākāsa
(Ether) |
Air |
Fire |
Water |
Earth |
|
Sensations |
Hearing |
Tactile sense |
Vision |
Taste |
Smell |
|
Ears |
Skin |
Eyes |
Tongue |
Nose |
|
|
Brain centers |
Auditory center |
Sensory cortex |
Visual cortex |
Gustatory center |
Olfactory center |
The Tanmatras have specific names: Sabda Tanmatra (sound), Sparsa Tanmatra (touch), Rupa Tanmatra (color and form), Rasa Tanmatra (taste), and Gandha Tanmatra (smell). Sound abides in Sabda Tanmatra; same premise applies to all Tanmatras.
These
Tanmātras are the subtle physical counterparts of sense perceptions:
hearing, tactile sense, vision, taste, and smell. The subtle element that
travels from the flower to the nose is tanmātra. The five bhūtas (the
gross elements), ether, air, fire, water, earth evolve from Tamasic tanmātras. The
dominant element's space or compartment consists of half (50%) of the dominant
element and one eighth (12.5%) each of the other four elements. None of the
reconstituted gross elements is pure in each compartment. We know now the
gross elements developed from the subtle elements and so it is reasonable to
deduce the gross elements exude subtle elements. For the gross elements to
acquire the gunas (qualities), Sattva, Rajas, and Tamas (calmness, turbulence,
and delusion) during the transformation from the subtle elements, the gross
elements had to become compounds representing one dominant element and four
other contaminants.
Compartment one, Ether: 50% is Ether and 12.5% each of air, fire, water, and earth.
Compartment two, Air:
50% is
Air and 12.5% each of ether, fire, water, and earth.
Compartment three, Fire: 50% is fire and 12.5% each of ether, air, water, and earth.
Compartment four, Water: 50% is
water and 12.5% each of ether, air, fire, and earth.
Compartment five, Earth:
50% is
earth and 12.5% each of ether, air, fire, and water.
Compartment four, Water: 50% is
water and 12.5% each of ether, air, fire, and earth.
Let us take water: 50% is water; Water is Hydrogen and oxygen; if you take the atoms, there is space. It is mixed with air (think of fish extracting oxygen from water). Water has Fire in it, meaning there is heat in water. When you remove heat from water it becomes ice. It has earth in it meaning it has minerals, which contributes to the taste of the water.
Table13.06 table: From the subtle and the finer elements, to the gross, to the sensory, to the Command and Control Center (Buddhi and Purusa), and to the motor organs: Chain of events go from the top to the bottom.
One example: Sound becomes Ether, which upon its gross manifestation becomes hearing; the latter needs an organ to receive the hearing. The peripheral organ needs pathways, central processing organ and organ of response to the sound -- Vestibulocochlear pathway, going to auditory region (Temporal lobe), Mind, Buddhi and Purusa, Mind, Motor cortex and actions.
|
Subtle and nonspecific |
Subtle and nonspecific |
Subtle and nonspecific |
Subtle and nonspecific |
Subtle and nonspecific |
|||||
|
SOUND |
TOUCH |
COLOR |
TASTE |
SMELL |
|||||
|
Air 12.5%
Fire
12.5%
water 12.5%
Earth 12.5% |
Ether 50%
|
Ether 12.5%
Fire 12.5%
Water 12.5%
Earth 12.5% |
Air 50%
|
Ether 12.5%
Air 12.5%
Water 12.5%
Earth 12.5% |
Fire 50% |
Ether 12.5%
Air 12.5%
Fire 12.5%
Earth 12.5% |
Water 50% |
Ether 12.5%
Air 12.5%
Fire 12.5%
Water 12.5% |
Earth 50%
|
|
ETHER |
AIR |
FIRE |
WATER |
EARTH |
|||||
|
Gross and Specific |
Gross and Specific |
Gross and Specific |
Gross and Specific |
Gross and Specific |
|||||
|
Hearing |
Tactile Sense |
Vision |
Tasting |
Smelling |
|||||
|
Ears |
Skin |
Eyes |
Tongue |
Nose |
|||||
|
Vestibulocochlear |
Sensory Pathways |
Visual Pathways |
Taste Pathways |
Olfactory Path. |
|||||
|
Auditory region of the cerebral cortex |
Somatic sensory region of the
cortex |
Visual region of cerebral
cortex |
|||||||