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Bhagavadgita Pages, Chapters 1 to 18

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V.Krishnaraj

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08/09/2008

 

 

                                                                                                                
                       
 
Creation and Dissolution
Creation part one :  Samkhya philosophy of dualism    

Creation Part two: The Creation according to Aitareya Upanishad

Creation Part three:  Brahma and the body of evidence

Creation Part four: Creation according to Bhagavatam, Vishnu Puranas et al

Creation Part five: Creation (Projection), Chaos, Cosmos, and order

Creation Part six: Linga (Tamasa) Purana             

                                                                                           
 
Panchadasi (6.183-186):
Creation is unrolling of painted canvas.

The painted canvas is rolled up at the end of the day.

Lord's day is to roll out the canvas and His night is rolling back the canvas.

His day and night is one wink of the eyes.

Maya's darkness creates objects.

His Supreme Intelligence creates the Jivas.

Your deeds dictate the nature of your rebirth.

 

  Creation part one 08/09/2008

 

Creation:  Samkhya philosophy of dualism: Purusa is Consciousness and Supreme Unparalleled Intelligence and Prakrti [Pra (before) krti (creation)] is matter, unconscious, indiscriminate, and insentient. The Primeval Matter is called upper Prakrti and is undifferentiated, and the manifest world is called lower Prakrti. The cosmic process facilitated by Consciousness mutates upper Prakrti into lower Prakrti. This lower Prakrti is the manifest matter in the world and the universe. Also from Prakrti evolves Mahat (the Great principle) and from Mahat comes buddhi, and from the latter develops ahankāra, I-ness, or individuation. Mahat and buddhi are the cosmic and individual aspects of intellect.

According to Katha Upanishad 1.3.10-11, Mahat, Avyakta, and Purusa are the progressively subtler entities. Avyakta is Prakrti, also known as Pradhāna, principal matter, first cause, matter in motion, and the Unmanifest. Avyakta needs an agent to put it in motion. That agent is the Spirit or Purusa. There is nothing beyond Purusa; that is the final goal; that is the end of the journey-- more correctly, the beginning of the journey. When the light of Purusa falls on Prakrti or avyakta, transformational changes take place and manifestations come into existence. 

  (True Sankhyas believe that Pradhana undergoes manifestations and modifications independent of Purusa: no agent is necessary to induce or restrict Pradhana or Prakrti. The Sankhyas advance the milk theory, which states that the milk flows spontaneously from the udder of a cow, so also manifestations and modifications of matter take place. There are many arguments against it. My argument is that cow gives milk under influence of hormones, while the bull, though it has the mammary glands in a rudimentary state, does not produce milk, for the bull does not have the right hormones to induce lactation. An agent is necessary to induce manifestation. For Sankhyas, Purusa and Prakrti are equally important [coordinate] principles.)

Sankara says that the first manifestation of Avyakta (the Unmanifest) is the Great Soul (Atma Mahan) of the universe. Rg Veda says that Hiranyagarbha (the golden embryo) is the firstborn, the progenitor of all other beings.  He calls Avyakta avidya-maya, energy (Maya-sakti) that is responsible for the manifestation of the whole universe, gods, and other beings. Purusa and Prakrti are subject and object in that the light of Purusa effects the transformational change on Prakrti. Maya is unmanifest like Avyakta. To Sankara, Avyakta is not Prakrti of the Sankhyas. Sankara asserts that avidya (ignorance) is the cause of subtle body.

Ramanuja has a different view: the atma Mahan is the individual soul and the doer, and the Great Soul (Paramatman) resides inside the individual soul. Ramanuja claims that avyakta is the subtle body and compares it to the chariot. The subtle body, when clothed with kosas, becomes the gross body. R says that Avyakta is Brahman in his causal slumber, when names and forms remain latent and unmanifest. When Brahman undergoes transformation (Parināma), the universe unfolds (Prakāra).

 

Sixteen entities derive from ahankāra: manas, five faculties of action, five faculties of sense, and five tanmātras namely the sound, touch, color, taste, and smell. This totipotent Prakrti consists of gunas: Sattva, Rajas, and Tamas which are inseparable and form a complex (Sattva-Rajas-Tamas complex), which is inert, if it is in a state of equilibrium. Only one of the three constituents is dominant in a person or entity at any particular moment. Sattva is knowledge, intellect, light and balanced emotion; Rajas is the motor behind Sattva and Tamas; without Rajas, Sattva and Tamas are inert; hence, dominance of Rajas naturally means revved-up emotions; Tamas is darkness, passivity, or negativity. These three gunas, strands, and complex condition the manifest world, both animate and inanimate. The force behind this complex or strands is Purusa, which agitates these strands or gunas and causes disequilibrium (imbalance) and subsequently heterogeneity and polymorphism. This evolution of the Prakrti and its involution in this alternate process take many years (kalpa) to complete; according to Ramanuja, this whole process is play activity of Lord Nārāyana. The cycle of births and rebirths continue for the jiva, until the jiva realizes its own intrinsic nature and becomes aware of other jivas (selves) and Isvara.  

According to Kurma Purana (Book two, chapter seven), Siva says that all souls in this world are Pasus, souls associated with filth (mala) and fetters (Pāsa). The souls are pure by their true nature but are called Pasus when they are burdened with filth, fetters, finiteness, and limitations (Upādhi). Siva, the Lord of Pasus (the Lord of the souls), binds these Pasus with the noose of Maya, and that is His play activity. The twenty-four principles derived from Prakrti, the Maya, the Karman (action) and the three gunas (Sattva, Rajas, and Tamas) are the noose and the fetters of Pasupati, who only can liberate the Pasus from fetters, which are ignorance, egotism, desire, aversion, attachment to mundane existence (Avidya, Asmita, Raga, Dvesa, Abhinivesa).

 

 

Once the actions are dedicated to Siva, liberation is assured.  Pasu also means a four-legged animal.

 

Garuda Purana has a more detailed view of creation.

 

 

 

Prakrta Sarga

 

 

 

Mahat 1

Bhuta-sarga 2

Vaikarika sarga 3

 

Mukhyasarga 4

Tiryaksrotas 5

Udhavasrotas 6

Arvaksrotas 7

Anugraha-sarga 8

 

 

Prakrta and Vaikrta

 

 

 

 

Kaumara 9

 

 

 

 

Garuda Purana (Book one, chapter four) tells us in the words of Lord Hari the details of creation as narrated to Rudra. Nara-Narayana is the Supreme soul.  The visible universe with the manifest and the unmanifest abide in Spirit (Purusa) and Time. The Lord has no beginning and no end (death). He created Avyakta, the Unmanifest from which the Soul was born.  In a cascade fashion, entities started evolving from the Soul: Mahat or Intellect, mind, firmament, air, fire, water, and earth. He creates a cosmic golden egg (Hiranyagarbha), which is infertile until he penetrates it.  The four-faced Brahma in Rajas mode becomes busy with creation of the movable and the immovable.  The whole universe and beings emerge from the golden egg. At the end of the kalpa, the Lord in the form of Rudra dissolves the universe.  The first creation is Mahat, cosmic Intellect from Brahman himself.  The second creation is Bhuta sarga, the subtle elements (Tanmatras).  The third creation is Vaikarika sarga (transformational creation). It is also known as Aindriyaka sarga (creation of sense organs). These three preceding creations are called Prakrta sarga (elemental, natural, or original creation – building blocks).  The fourth creation is Mukhya sarga (chief or principal creation). Insentients and immobile objects belong to this category. The fifth creation is Tiryak-yonasyah or Triyaksrotas.  (Tiryak=oblique, horizontal + yonasyah=womb) = animals. (Tiryak=oblique, horizontal + srotas=canal) = animals, whose propulsion of nutrients go horizontally or have horizontal canals (intestines). Srotas means canal and therefore, it is natural to think that they (birds and beasts) have intestines that run parallel to the ground in their standing position.  Some other explanations are offered. They are called Tiryaksrotas, not because their bodies move obliquely, but because their nature is full of ignorance (Ajnabahula) and ego and their ways are wrong. The sixth creation is Urdhvasrotas, the gods who have canals going up or whose nutrients go upwards. The seventh creation is Arvaksrotas, the human beings whose flow of nutrients goes downwards. Though the literal meaning says that their canal and nutrients go downward, another explanation is given: They live below the heaven; they are full of brilliance, but are contaminated with darkness (Tamas) and stimulated by Rajas. They are enlightened both inside and outside. The eighth creation is Anugraha sarga, meaning creation of mental conditions like Sattva and Tamasa gunas. It is of four types: Viparyaya, Sakti, Siddha, and Mukhya. The immobile creation such as mountain is viparyaya, meaning it is unconscious. The last five creations from the fourth to the eighth are called Vaikrta sarga, transformational creation.  Vaikrta sarga is a product of meditation by Brahma. The ninth creation is Kaumara, belonging to both Prakrta and Vaikrta creations.

In all living beings, the Lord exists in four forms: Viparyaya, Sakti, Buddhi, and Siddhi.

Viparyaya in this context means that the lower principal creation such as trees and plants is deprived of consciousness. In animals, the dominant mode of his presence is sakti or physical power. In human beings, he exists as buddhi or intelligence. In realized souls like yogis, he exists as Siddhi or spiritual attainment.  Mountains and other immobile objects belong to this opaque, principal creation (Mukhya sarga) because of the cover of avidyam (ignorance).

            Coming to the Kaumara or Kumaras (Sanatkumara, Sanandana, Sanaka, Sanatana and Rbhu), that is the ninth creation. These are the mind-born sons of Brahma, who refused to raise a family,  remained bachelors and enjoyed youth (kumara). This story is continued in "Creation Part Three."

 

Dissolution sequence: Time reigns supreme in involution of the manifest universe and the gunas into undifferentiated matter (Mula Prakrti, or undifferentiated primordial matter) Avyakta. Mula Prakrti means original germ or root substance. 

 

First let us look into partial dissolution before we go to total dissolution. After a thousand MahaYugas, Brahma laya (Naimitika laya, occasional, partial, periodic, kalpal dissolution) takes place. (Varaha is the present kalpa preceded by padma kalpa.)  It will be one hundred years of no rains. Seven blazing suns will light up the sky, turn everything in the path of their rays dry and burn the three worlds, the earth, Bhuvah and Svah, and Mahar loka. The nether worlds will undergo incineration at the sight of Rudra, Vishnu’s form.  Mysterious clouds emanate from the mouth of Lord Visnu, which, for 100 years, will pour down rains that flood the whole world. Fire and floods will destroy all mobile and immobile things. This dissolution coincides with the onset of Brahma’s sleep. The primary creation remains intact and only secondary creation has undergone dissolution.

It would be raining, not cats and dogs, but “elephants' trunks” meaning that each drop would be the size of an elephant's trunk. There is water everywhere, fire subsides, wind dies down, there is no light, and there is total darkness. Brahma with his thousand eyes, thousand feet, thousand heads, thousand mouths and thousand arms presides over this watery grave of cosmic size.  He is learned in three Vedas. He has the radiance and the color of the sun. He is Virat, he is Hiranyagarbha, and he is beyond thought and imagination. All created beings, now dead, are wrapped in darkness. In Maharloka the sages see Time sleeping. The survivors of this great deluge are the Time, Saptarishis and Satya in Maharloka; Sri, Bhu, Siva, and Sanatkumara in Janaloka; Brahma and Sankarsana in Satyaloka; Narayana and his devotees in Vaikuntha; Krishna, Radha and Sridhama in Goloka. Vishnu sleeps on the coils of serpent Ananda taking the form of supreme Brahman. Visnu wakes up from Yoganidra after a thousand divine years and will create the universe once again in the form of Brahma, who creates the world and beings again and again at the beginning of each Kalpa. He is both Vyakta (manifest) and Avyakta (unmanifest).  

The other dissolution is Prakrtika Pralaya (total, natural dissolution; retrograde involution; elemental involution, Brahma’s dissolution). When Brahma dies after one hundred Brahma years (311.04 Trillion man years), Lord Hari destroys the universe and absorbs into his body the creator, Brahma. The significance of this is that Brahma who was responsible for secondary creation of the universe from the elements supplied by Lord Visnu is no more, and the universe has reverted back to its primordial state in Visnu.  

According to Saiva belief, Mahadeva (Supreme Siva) destroys the universe, beings, gods including Brahma, Vishnu and Siva (adjunct status of the same Gods). Saiva Siddhantists consider Supreme Siva, Paraparam (Beyond the Beyond, Supreme Supreme) as their God of gods; Siva, one of the Holy Triumvirate, is a mere god of the triad. The students from the west believe that Saiva Siddhantists selectively elevated the status of Siva of the earlier Triad to the Super-supreme status. Supreme Siva stays while Brahma and Vishnu come and go in this and many other countless universes.

Henotheists of Hindu religion are of the belief that Siva and Vishnu are of equal status, though Siva and Vishnu may stride up and down the parallel hierarchal ladders of their respective sects; Siva and Vishnu do not knock each other's ladder for supremacy; they switch their relative vertical positions with amity.

MahaVishnu is superior to Vishnu and is equal to Sadasiva, the revealer of Grace and the third Consciousness in Suddha Tattvas. Lord Siva performs his Tandava (wild dance) wearing a garland of skulls. The universe undergoes retrograde involution; each substance (like earth) or element falls back into its previous state until the state of Mahat is reached, when Mahat and Devi (Siva's spouse) merge into the body of Siva. Pradhana (Primary essential progenitor substance, matter) and Purusa (Spirit) exist separately in him and the gunas are inert.

At the onset of Prakrtika Pralaya, there will be a drought followed by scorching sun, which will be followed by heavy downpour for one hundred years. Now the egg of the universe will rupture and dissolve in water, which marks the death of Brahma.

 

Sankarsana, Vishnu’s manifestation, sends forth the poison-fire from below. The egg of the universe catches fire on all its sides. The wind blows violently for one hundred years. The universe is reduced to dust and smoke. The universe and beings vaporize to a subtle state of smell.  

 

Smell from conflagration dissolves in water. Involution takes place from the gross to subtle elements until it reaches the element sound. In a linear retrograde fashion the earth dissolves (or involutes into) in the water, the water in the fire, the fire in the air, the air in the ether, the ether in the senses, the senses in the subtle elements, the subtle elements in their subtle sources, the latter in Mahat, and Mahat in three gunas. The sensory and motor organs (Indreyas) merge into their respective deities. The deities merge with their inner controller. The mind merges with Sattvika ahankara, sound with Tamasa ahankara. Ahankara itself merges into Mahat, which dissolves in three gunas, which dissolve in the unmanifest Prakrti, the latter in the imperishable and the latter in the darkness. Darkness becomes one with the transcendent, which is neither existing nor nonexisting. Joseph Campbell explains what transcendent is. In Occidental theology, the word transcendent is used to mean outside of the world. In the East, it means outside of thought. Brahma, the creator merges or involutes into avyakta or Mula Prakrti. The earth, the fire, and all other elements lose their intrinsic properties and merge or fall into Mula Prakrti. As you see, the universe is created from the undifferentiated (Unmanifest) Mula Prakrti; and on dissolution, it retraces its steps backwards. Mula Prakrti merges with Time-Spirit, which stops all its functions. Time-spirit merges with the final repository and the wielder of Maya, the Atman also known as Purusa. The Lord refers to Eternal Atman as Me.

 

 

Bhagavata Purana states in Book twelve, Chapter four that the Unmanifest Primordial matter is Pradhāna (Mula Prakrti), which is the progenitor unmanifest substance, not subject to Time, modification, death, and decay; it has no beginning, no end and is the cause of everything. It has no form and all elements are present in a potential state.

 

Sankara's view: Between the Brahman and the Universe, there is Brahman's māyā (time, space, and causation) as the divine mysterious driving or projecting force.

 

Here is a table of the Indriyas and the respective presiding deities

 

Eye

Ear

Nose

Tongue

Skin

Voice

Hands

foot

Anus

Genitals

Manas

Buddhi

Ego

Citta

Sun

QTR*

Asvins

Pracetas

Wind

Fire

Indra

Vishnu

Mitra

Prajapati

Moon

Brahman

Siva

Acyuta

 

 

QTR*: The quarters of the world.

 

When Perialvar sings the praise of Baby Krishna in verse 40 of Divyaprabhandam, he describes the pralaya or dissolution:  “You swallow the earth, the mountains, the oceans, and the seven worlds and keep them in your protective custody.” 

According to Samkhya theory, the evolution and involution are linear starting from the Transcendent and ending in the world and vice versa. In involution, the world burns up. Dissolution (retrograde involution) takes place until the stage of the Transcendent. The next cycle of evolution starts.

 

 

The Creation according to Aitareya Upanishad

Creation Part two

 

 

In the beginning, if there were ever any such period, there was only One. That was Intelligence. It neither winked nor blinked nor budged. Then He created these worlds: light, death, and water. Heaven supported the waters, the light rays were the atmosphere, and the Death was the earth. It earned the name death, because people die on earth. The water was below the earth’s crest and He (the Lord) fashioned a person from the water and gave him a form. (That is why the water is the major constituent of the body.) He brooded over him; He separated the mouth, the nostrils, the eyes, the ears, the skin, the heart, the navel, and the generative organ. And along with them came the speech and the fire, the breath and the air, the sight and the sun, the hearing and the space, the tactile sense, the hairs, the plants and the trees, the mind and the moon, the out-breath, and the semen. (My note: This should remind us of the development of fetus in utero and the differentiation of the primordial germ cells into ectoderm, mesoderm and endoderm and their respective organs.) It is worthwhile to remember that according to the Upanishads, the stem substance for the whole universe and the living beings is ether. Ether is totipotent and can transform into any substance. You heard the expression that we are carbon-based. According to Upanishads, we are ether-based.

A deity or divinity presides over each organ and sense. They (the senses and the organs) fell into the ocean (of Samsāra or birth and rebirth), and became hungry and thirsty. The person and the divinities beseeched for an abode ― a body, wherein they can eat.

Instead, the creator or Intelligence sent forth a cow and another person. The hunger and the thirst wanted a house for themselves. The creator said that he would make them partakers and beneficiaries of offerings made to the divinities: the mouth, the nostrils, eyes and the like. That is how an offering or an oblation made to the divinities also satisfied the hunger and thirst. Now something is missing: That is food to sustain the divinities and satisfy the hunger and thirst. He brooded over the waters: Food issued forth from waters in a form and wanted to run away. (This means that the food’s main ingredient is water and depends on it for its existence). The person tried to hold the food by speech, breath, sight, hearing, skin, mind, generative organ, and out-breath. Now we have the body, the indreyas (organs and senses), and the food. The body is considered as a city; speech, breath and the like are the servants waiting on the body (serving the body). Who is the master of this body? Who is the enjoyer of the senses? So far, there is none. What is the portal of entry for this enjoyer? Where are the gates by which the enjoyer can enter, animate, and spiritualize this body? (The nine gates of the body are the two eyes, the two ears, the two nostrils, one mouth, one generative, and one reproductive organ). There are two portals in the body for entry, namely the crown and the forefoot. In the crown, it is Vidrti, the opening (brahma-randhra) in the sagittal suture of the skull, also known as anterior fontanel―the area corresponding to the soft spot on the top of the baby’s head. It is sahasrara, the highest center of spiritual consciousness in Kundalini yoga and the seat of the thousand-petalled lotus. By this portal, the self enters the body; the self from the time of entry into the body moves among three abodes of residence according to the level of consciousness: wakefulness, dream sleep, and deep sleep; Turiya is the fourth state experienced only by yogis. The right eye is the abode during the wakefulness, the inner mind during dream sleep, and the space in the heart during deep sleep.   

The self is said to have three births: The first birth is at the time of insemination and not fertilization. (You would guess that the first birth is fertilization of the maternal egg, but it is not so here.) The second birth is at the time of embryo’s development in the womb of the mother. The natal and postnatal period until death is not a consideration here. He is the substitute for or the recipient of the father’s pious deeds. After doing his work, having grown old, and departing this world, he is born again: That is his third birth. Who is this self, which animates and spiritualizes this body? He is Brahmā, Indrā, Prajāpati, the five elements namely earth, air, ether, water, light, that which is part of the fire, and any being that breathes. They make the self and such a collective entity is the prime mover. He is the Intelligence and the final Reality. This intelligent self rises from this world at the time of death, goes to heaven and becomes immortal. The self that entered by the anterior fontanel exits from the same portal. That is briefly the story of the transformation of water and other elements into a physical body with its organs and senses and their respective presiding deities and the soul.

 

 

 

Brahma and the body of evidence

CREATION PART THREE

 

 

Brahma in the first flush of creation created mind-born sages by name Sanaka, Sanandana, Sanātana and Sanatkumāra and (Rbhu) and asked them to proliferate. (Sanaka, Sanatana and Sanatkumara were triplets (born simultaneously!), devoid of three types of miseries, according to Linga Purana 20.85-87.) Those sages, named as Urdhvaretās* (he whose vital fluid ascends facilitating the Bramacharin to attain complete mastery over his generative and recreational impulses), refused to comply, and began worshipping Lord Vāsudeva. Thus disappointed, insulted, and angry, Brahma tried hard to contain his anger, but His anger broke forth as a red-colored boy from his forehead between the eyebrows. He was named Rudra, who cried, demanded, and received control of heart, senses, vital air, ether, air, fire, water, earth, sun, moon, and penance as places of his residence. Rudra means “Red and flashing One.” (Rudra = [Ru = to cry] + [dru = to move] = to cry and move.) When an infant is born it cries and moves indicating life and breath and the need for food.  The glabella-born Lord Rudra was half male and half female, the former developed into eleven Vyuhas (manifestations).  Rudra received many adulatory names and many adoring wives: eleven in all, collectively known as Rudranis.  Vayu Purana (Chapter 27) lists only eight such manifestations (Astamurti) of Rudra.  Glabella = Trikuuti = bone of the forehead or protuberance.

    Urdhvaretās*: Vital fluid, according to Hindu beliefs, exists in a subtle state throughout the body. Sukra = White, Silver, Vital fluid, Essence, Semen. When sexual urge finds expression, the subtle substance gathers at the gonads and prostate and assumes a gross form. To rise to the level of Urdhvaretas is to prevent emission and facilitate reabsorption into the body of the stored seeds for in the perfected one it remains subtle for ever with atrophy of the gonads and involution of phallus -- signs of Urdhvaretas. Because of the subtle nature of Sukra and its pervasion throughout the chaste body in Urdhvaretas and lack of it in the gonadal and prostatic fluid, he smells like a lotus. (On the other hand, ordinary mortals (men) smell like goats for obvious reasons.) In perfect ones, the seminal energy rises to become the nectar (Amrta) of Siva Sakti, according to Tantric Texts. This diffuse radiant energy (Tejas) circulating in the body of the perfected ones, it is said, they, when cut, bleed not blood but tejas in the form of semen.

Bhagavatam: Rudra and his eleven names, and eleven Rudranis, first the male names and later the names of his wives: (Bhagavatam, third Canto, Chapter 12) Manyu, Manu, Mahinasa, Mahān, Siva, Rtadhwaja, Ugrareta, Bhava, Kāla, Vāmadeva, Dhrtavrata. The wives are Dhi, Vrrti, Usana, Uma, Niyut, Sarpi, Ila, Ambika, Iravati, Sudha, and Diksa. 

Vayu Prana (Chapter 27) lists only eight manifestations of Rudra (Nila-lohita/dark-blue and red).

Name

Body

Consort

Progeny (sons)

1. Rudra

The Sun

Suvarcala

Sanaiscara (Saturn)

2. Bhava

The Waters

Usa

Usanas (Venus)

3. Siva/Sarva

The Earth

Vikesi

Angaraka (Mars)

4. Isana

The Wind

Siva

Manojava

5. Pasupati

The Fire

Svaha

Skanda (god of war)

6. Bhima

The Ether

Quarters

Svarga (heaven)

7. Ugra

The Sacrifices