Bhagavadgita Pages, Chapters 1 to 18
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V.Krishnaraj
08/09/2008
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Creation Part three: Brahma and the body of evidence
Creation Part six: Linga (Tamasa) Purana
The painted canvas is rolled up at the end of the day.
Lord's day is to roll out the canvas and His night is rolling back the canvas.
His day and night is one wink of the eyes.
Maya's darkness creates objects.
His Supreme Intelligence creates the Jivas.
Your deeds dictate the nature of your rebirth.
Creation:
Samkhya philosophy of dualism: Purusa is Consciousness and Supreme
Unparalleled Intelligence and Prakrti [Pra (before) krti
(creation)] is matter, unconscious, indiscriminate, and insentient. The
Primeval Matter is called upper Prakrti and is undifferentiated, and the
manifest world is called lower Prakrti. The cosmic process facilitated by
Consciousness mutates upper Prakrti into lower Prakrti. This lower Prakrti is
the manifest matter in the world and the universe. Also from Prakrti
evolves Mahat (the Great principle) and from Mahat comes buddhi, and from the
latter develops ahankāra, I-ness, or individuation.
Mahat and buddhi are the cosmic and individual aspects of intellect.
According to Katha Upanishad 1.3.10-11, Mahat, Avyakta, and Purusa are the progressively subtler entities. Avyakta is Prakrti, also known as Pradhāna, principal matter, first cause, matter in motion, and the Unmanifest. Avyakta needs an agent to put it in motion. That agent is the Spirit or Purusa. There is nothing beyond Purusa; that is the final goal; that is the end of the journey-- more correctly, the beginning of the journey. When the light of Purusa falls on Prakrti or avyakta, transformational changes take place and manifestations come into existence.
Sankara says that the first manifestation of
Avyakta (the Unmanifest) is the Great Soul (Atma Mahan) of the universe. Rg
Veda says that Hiranyagarbha (the golden embryo) is the firstborn, the
progenitor of all other beings. He calls
Avyakta avidya-maya, energy (Maya-sakti) that is responsible for the
manifestation of the whole universe, gods, and other beings. Purusa and Prakrti
are subject and object in that the light of Purusa effects the transformational
change on Prakrti. Maya is unmanifest like Avyakta. To Sankara, Avyakta is not
Prakrti of the Sankhyas. Sankara asserts that avidya (ignorance) is the cause
of subtle body.
Ramanuja has a different view: the atma Mahan
is the individual soul and the doer, and the Great Soul (Paramatman) resides
inside the individual soul. Ramanuja claims that avyakta is the subtle body and
compares it to the chariot. The subtle body, when clothed with kosas, becomes the
gross body. R says that Avyakta is Brahman in his causal slumber, when names
and forms remain latent and unmanifest. When Brahman undergoes transformation (Parināma), the universe unfolds (Prakāra).
Sixteen entities derive from ahankāra: manas, five faculties
of action, five faculties of sense, and five tanmātras
namely the sound, touch, color, taste, and smell. This totipotent Prakrti
consists of gunas: Sattva, Rajas, and Tamas which are inseparable and form a
complex (Sattva-Rajas-Tamas complex), which is inert, if it is in a state of
equilibrium. Only one of the three constituents is dominant in a person or
entity at any particular moment. Sattva is knowledge, intellect, light and
balanced emotion; Rajas is the motor behind Sattva and Tamas; without Rajas,
Sattva and Tamas are inert; hence, dominance of Rajas naturally means revved-up
emotions; Tamas is darkness, passivity, or negativity. These three gunas,
strands, and complex condition the manifest world, both animate and inanimate.
The force behind this complex or strands is Purusa, which agitates these
strands or gunas and causes disequilibrium (imbalance) and subsequently
heterogeneity and polymorphism. This evolution of the Prakrti and its
involution in this alternate process take many years (kalpa) to complete;
according to Ramanuja, this whole process is play activity of Lord Nārāyana. The cycle of births and rebirths
continue for the jiva, until the jiva realizes its own intrinsic nature and
becomes aware of other jivas (selves) and Isvara.
According to Kurma Purana (Book two, chapter seven), Siva says that all souls in this world are Pasus, souls associated with filth (mala) and fetters (Pāsa). The souls are pure by their true nature but are called Pasus when they are burdened with filth, fetters, finiteness, and limitations (Upādhi). Siva, the Lord of Pasus (the Lord of the souls), binds these Pasus with the noose of Maya, and that is His play activity. The twenty-four principles derived from Prakrti, the Maya, the Karman (action) and the three gunas (Sattva, Rajas, and Tamas) are the noose and the fetters of Pasupati, who only can liberate the Pasus from fetters, which are ignorance, egotism, desire, aversion, attachment to mundane existence (Avidya, Asmita, Raga, Dvesa, Abhinivesa).
Once the actions are dedicated to Siva,
liberation is assured. Pasu also means a
four-legged animal.
Garuda Purana has a more detailed view of
creation.
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Prakrta Sarga |
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Mahat 1 |
Bhuta-sarga 2 |
Vaikarika sarga 3 |
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Mukhyasarga 4 |
Tiryaksrotas 5 |
Udhavasrotas 6 |
Arvaksrotas 7 |
Anugraha-sarga 8 |
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Prakrta and Vaikrta |
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Kaumara 9 |
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Garuda Purana (Book one, chapter four) tells
us in the words of Lord Hari the details of creation as narrated to Rudra.
Nara-Narayana is the Supreme soul. The
visible universe with the manifest and the unmanifest abide in Spirit (Purusa)
and Time. The Lord has no beginning and no end (death). He created Avyakta, the
Unmanifest from which the Soul was born.
In a cascade fashion, entities started evolving from the Soul: Mahat or
Intellect, mind, firmament, air, fire, water, and earth. He creates a cosmic
golden egg (Hiranyagarbha), which is infertile until he penetrates it. The four-faced Brahma in Rajas mode becomes
busy with creation of the movable and the immovable. The whole universe and beings emerge from the
golden egg. At the end of the kalpa, the Lord in the form of Rudra dissolves
the universe. The first creation is
Mahat, cosmic Intellect from Brahman himself.
The second creation is Bhuta sarga, the subtle elements (Tanmatras). The third creation is Vaikarika sarga
(transformational creation). It is also known as Aindriyaka sarga (creation of
sense organs). These three preceding creations are called Prakrta sarga
(elemental, natural, or original creation – building blocks). The fourth creation is Mukhya sarga (chief or
principal creation). Insentients and immobile objects belong to this category.
The fifth creation is Tiryak-yonasyah or Triyaksrotas. (Tiryak=oblique, horizontal + yonasyah=womb)
= animals. (Tiryak=oblique, horizontal + srotas=canal) = animals, whose
propulsion of nutrients go horizontally or have horizontal canals (intestines).
Srotas means canal and therefore, it is natural to think that they (birds and
beasts) have intestines that run parallel to the ground in their standing
position. Some other explanations are
offered. They are called Tiryaksrotas, not because their bodies move obliquely,
but because their nature is full of ignorance (Ajnabahula) and ego and their
ways are wrong. The sixth creation is Urdhvasrotas, the gods who have canals
going up or whose nutrients go upwards. The seventh creation is
Arvaksrotas,
the human beings whose flow of nutrients goes downwards. Though the literal
meaning says that their canal and nutrients go downward, another explanation is
given: They live below the heaven; they are full of brilliance, but are
contaminated with darkness (Tamas) and stimulated by Rajas. They are
enlightened both inside and outside. The eighth creation is
Anugraha sarga,
meaning creation of mental conditions like Sattva and Tamasa gunas. It is of
four types: Viparyaya, Sakti, Siddha, and Mukhya. The immobile creation such as
mountain is viparyaya, meaning it is
unconscious. The last five creations from
the fourth to the eighth are called Vaikrta sarga, transformational
creation. Vaikrta sarga is a product of
meditation by Brahma. The ninth creation is Kaumara, belonging to both Prakrta
and Vaikrta creations.
In all living beings, the Lord exists in four
forms: Viparyaya, Sakti, Buddhi, and Siddhi.
Viparyaya in this context means that the
lower principal creation such as trees and plants is deprived of consciousness.
In animals, the dominant mode of his presence is sakti or
physical power. In
human beings, he exists as buddhi or
intelligence. In realized souls like
yogis, he exists as Siddhi or spiritual attainment.
Coming to the Kaumara or Kumaras (Sanatkumara, Sanandana, Sanaka, Sanatana and Rbhu), that is the ninth creation. These are the mind-born sons of Brahma, who refused to raise a family, remained bachelors and enjoyed youth (kumara). This story is continued in "Creation Part Three."
Dissolution sequence: Time reigns supreme in
involution of the manifest universe and the gunas into undifferentiated matter
(Mula Prakrti, or undifferentiated primordial matter) Avyakta. Mula Prakrti
means original germ or root substance.
First let us look into partial dissolution
before we go to total dissolution. After a thousand MahaYugas, Brahma laya
(Naimitika laya, occasional, partial, periodic, kalpal dissolution) takes
place. (Varaha is the present kalpa preceded by padma
kalpa.) It will be one hundred years of no rains. Seven blazing suns will
light up the sky, turn everything in the path of their rays dry and burn the
three worlds, the earth, Bhuvah and Svah, and Mahar
loka. The nether worlds will undergo incineration at the sight of Rudra,
Vishnu’s form. Mysterious clouds emanate
from the mouth of Lord Visnu, which, for 100 years, will pour down rains that
flood the whole world. Fire and floods will destroy all mobile and immobile
things. This dissolution coincides with the onset of Brahma’s sleep. The
primary creation remains intact and only secondary creation has undergone
dissolution.
It would be raining, not cats and dogs, but
“elephants' trunks” meaning that each drop would be the size of an elephant's
trunk. There is water everywhere, fire subsides, wind dies down, there is no
light, and there is total darkness. Brahma with his thousand eyes, thousand feet,
thousand heads, thousand mouths and thousand arms presides over this watery
grave of cosmic size. He is learned in
three Vedas. He has the radiance and the color of the sun. He is Virat, he is Hiranyagarbha, and he is beyond thought and
imagination. All created beings, now dead, are wrapped in darkness. In
Maharloka the sages see Time sleeping. The survivors of this great deluge are
the Time, Saptarishis and Satya
in Maharloka; Sri, Bhu, Siva, and Sanatkumara in Janaloka;
Brahma and Sankarsana in Satyaloka; Narayana and his
devotees in Vaikuntha;
The other dissolution is Prakrtika
Pralaya (total, natural dissolution; retrograde involution;
elemental involution, Brahma’s dissolution). When Brahma dies after one hundred
Brahma years (311.04 Trillion man years), Lord Hari destroys the universe and
absorbs into his body the creator, Brahma. The significance of this is that
Brahma who was responsible for secondary creation of the universe from the
elements supplied by Lord Visnu is no more, and the universe has reverted back
to its primordial state in Visnu.
According to Saiva
belief, Mahadeva (Supreme Siva) destroys the universe, beings, gods including
Brahma, Vishnu and Siva (adjunct status of the same Gods).
Saiva Siddhantists consider Supreme Siva, Paraparam (Beyond the Beyond, Supreme
Supreme) as their God of gods; Siva, one of the Holy Triumvirate, is a mere god
of the triad. The students from the west believe that Saiva Siddhantists
selectively elevated the status of Siva of the earlier Triad to the
Super-supreme status. Supreme Siva stays while Brahma and Vishnu come and go in
this and many other
Henotheists of Hindu religion are of the belief that Siva and Vishnu are of
equal status, though Siva and Vishnu may stride up and down the parallel
hierarchal ladders of their respective sects; Siva and Vishnu do not knock each
other's ladder for supremacy; they switch their relative
MahaVishnu is superior to Vishnu and is equal to Sadasiva, the revealer of Grace and the third Consciousness in Suddha Tattvas. Lord Siva performs his Tandava (wild dance) wearing a garland of skulls. The universe undergoes retrograde involution; each substance (like earth) or element falls back into its previous state until the state of Mahat is reached, when Mahat and Devi (Siva's spouse) merge into the body of Siva. Pradhana (Primary essential progenitor substance, matter) and Purusa (Spirit) exist separately in him and the gunas are inert.
At the onset of Prakrtika
Pralaya, there will be a drought followed by
scorching sun, which will be followed by heavy downpour for one hundred years.
Now the egg of the universe will rupture and dissolve in water, which marks the
death of Brahma.
Sankarsana, Vishnu’s
manifestation, sends forth the poison-fire from below. The egg of the universe
catches fire on all its sides. The wind blows violently for one hundred years.
The universe is reduced to dust and smoke. The universe and beings vaporize to
a subtle state of smell.
Smell from conflagration dissolves in water.
Involution takes place from the gross to subtle elements until it reaches the
element sound. In a linear retrograde fashion the earth dissolves (or involutes
into) in the water, the water in the fire, the fire in the air, the air in the
ether, the ether in the senses, the senses in the subtle elements, the subtle
elements in their subtle sources, the latter in Mahat, and Mahat in three
gunas. The sensory and motor organs (Indreyas) merge
into their respective deities. The deities merge with their inner controller.
The mind merges with Sattvika ahankara, sound with Tamasa ahankara. Ahankara
itself merges into Mahat, which dissolves in three gunas, which dissolve in the
unmanifest Prakrti, the latter in the imperishable and the latter in the
darkness. Darkness becomes one with the transcendent, which is neither existing
nor nonexisting. Joseph Campbell explains what
transcendent is.
In
Occidental
theology,
the word transcendent
is used to mean
outside of the world.
In the East, it means outside of thought.
Brahma, the creator merges or
involutes into avyakta or Mula Prakrti. The earth, the fire, and all other
elements lose their intrinsic properties and merge or fall into Mula Prakrti.
As you see, the universe is created from the undifferentiated (Unmanifest) Mula
Prakrti; and on dissolution, it retraces its steps backwards. Mula Prakrti merges
with Time-Spirit, which stops all its functions. Time-spirit merges with the
final repository and the wielder of Maya, the Atman also known as Purusa. The
Lord refers to Eternal Atman as Me.
Bhagavata Purana states in Book twelve,
Chapter four that the Unmanifest Primordial matter is Pradhāna
(Mula Prakrti), which is the progenitor unmanifest substance, not subject to
Time, modification, death, and decay; it has no beginning, no end and is the
cause of everything. It has no form and all elements are present in a potential
state.
Sankara's view: Between the Brahman and the
Universe, there is Brahman's māyā (time,
space, and causation) as the divine mysterious driving or projecting force.
Here is a table of the Indriyas and the
respective presiding deities
|
Eye |
Ear |
Nose |
Tongue |
Skin |
Voice |
Hands |
foot |
Anus |
Genitals |
Manas |
Buddhi |
Ego |
Citta |
|
Sun |
QTR* |
Asvins |
Pracetas |
Wind |
Fire |
Indra |
Vishnu |
Mitra |
Prajapati |
Moon |
Brahman |
Siva |
Acyuta |
QTR*: The quarters of the world.
When Perialvar
sings the praise of Baby Krishna in verse 40 of Divyaprabhandam,
he describes the pralaya or dissolution: “You swallow the earth, the mountains, the
oceans, and the seven worlds and keep them in your protective custody.”
According to Samkhya theory, the evolution
and involution are linear starting from the Transcendent and ending in the
world and vice versa. In involution, the world burns up. Dissolution
(retrograde involution) takes place until the stage of the Transcendent. The
next cycle of evolution starts.
In the beginning, if there were ever any such
period, there was only One. That was Intelligence. It
neither winked nor blinked nor budged. Then He created these worlds: light,
death, and water. Heaven supported the waters, the light rays were the
atmosphere, and the Death was the earth. It earned the name death, because
people die on earth. The water was below the earth’s crest and He (the Lord)
fashioned a person from the water and gave him a form. (That is why the
water is the major constituent of the body.) He brooded over him; He separated
the mouth, the nostrils, the eyes, the ears, the skin, the heart, the navel,
and the generative organ. And along with them came the speech and the fire, the
breath and the air, the sight and the sun, the hearing and the space, the
tactile sense, the hairs, the plants and the trees, the mind and the moon, the
out-breath, and the semen. (My note: This should remind us of the development
of fetus in utero and the differentiation of the
primordial germ cells into ectoderm, mesoderm and endoderm and their respective
organs.) It is worthwhile to remember that according to the Upanishads, the
stem substance for the whole universe and the living beings is ether. Ether is
totipotent and can transform into any substance. You heard the expression
that we are carbon-based. According to Upanishads, we are ether-based.
A deity or divinity presides over each organ
and sense. They (the senses and the organs) fell into the ocean (of Samsāra or birth and rebirth), and became hungry and
thirsty. The person and the divinities beseeched for an abode ― a body,
wherein they can eat.
Instead, the creator or Intelligence sent
forth a cow and another person. The hunger and the thirst wanted a house for
themselves. The creator said that he would make them partakers and
beneficiaries of offerings made to the divinities: the mouth, the nostrils,
eyes and the like. That is how an offering or an oblation made to the divinities also
satisfied the hunger and thirst. Now something is missing: That is food to sustain
the divinities and satisfy the hunger and thirst. He brooded over the waters:
Food issued forth from waters in a form and wanted to run away. (This means
that the food’s main ingredient is water and depends on it for its existence).
The person tried to hold the food by speech, breath, sight, hearing, skin,
mind, generative organ, and out-breath. Now we have the body, the indreyas (organs and senses), and the food. The body is
considered as a city; speech, breath and the like are the servants waiting on the body
(serving the body). Who is the master of this body? Who is the enjoyer of the
senses? So far, there is none. What is the portal of entry for this enjoyer?
Where are the gates by which the enjoyer can enter, animate, and spiritualize
this body? (The nine gates of the body are the two eyes, the two ears, the two
nostrils, one mouth, one generative, and one reproductive organ). There are two
portals in the body for entry, namely the crown and the forefoot. In the crown,
it is Vidrti, the opening (brahma-randhra)
in the sagittal suture of the skull, also known as
anterior fontanel―the area corresponding to the
soft spot on the top of the baby’s head. It is sahasrara,
the highest center of spiritual consciousness in Kundalini yoga and the seat of
the thousand-petalled lotus. By this portal, the self
enters the body; the self from the time of entry into the body moves among
three abodes of residence according to the level of consciousness: wakefulness,
dream sleep, and deep sleep; Turiya is the fourth state experienced only by
yogis. The right eye is the abode during the wakefulness, the inner mind during
dream sleep, and the space in the heart during deep sleep.
The self is said to have three births: The
first birth is at the time of insemination and not fertilization. (You would
guess that the first birth is fertilization of the maternal egg, but it is not
so here.) The second birth is at the time of embryo’s development in the womb
of the mother. The natal and postnatal period until death is not a consideration
here. He is the substitute for or the recipient of the father’s pious deeds.
After doing his work, having grown old, and departing this world, he is born
again: That is his third birth. Who is this self,
which animates and spiritualizes this body? He is Brahmā,
Indrā, Prajāpati,
the five elements namely earth, air, ether, water, light, that
which is part of the fire, and any being that breathes. They make the self and
such a collective entity is the prime mover. He is the Intelligence and the
final Reality. This intelligent self rises from this world at the time of
death, goes to heaven and becomes immortal. The self that entered by the
anterior fontanel exits from the same portal. That is briefly the story of the
transformation of water and other elements into a physical body with its organs
and senses and their respective presiding deities and the soul.
Brahma and the body of evidence
CREATION PART THREE
Brahma in the first flush of creation created
mind-born
sages by name Sanaka, Sanandana, Sanātana and Sanatkumāra and (Rbhu) and asked them to proliferate.
(Sanaka, Sanatana and Sanatkumara were triplets (born simultaneously!), devoid
of three types of miseries, according to Linga
Purana 20.85-87.) Those sages, named as Urdhvaretās*
(he whose vital fluid ascends facilitating the
Bramacharin
to attain complete mastery over his generative and recreational impulses),
refused to comply, and began worshipping Lord Vāsudeva.
Thus disappointed, insulted, and angry, Brahma tried hard to contain his anger,
but His anger broke forth as a red-colored boy from his forehead between the
eyebrows. He was named Rudra, who cried, demanded, and received control of
heart, senses, vital air, ether, air, fire, water, earth, sun, moon, and
penance as places of his residence.
Rudra means
“Red and flashing One.” (Rudra = [Ru
= to cry] + [dru = to move] = to cry and move.) When
an infant is born it cries and moves indicating life and breath and the need
for food. The
glabella-born
Lord Rudra was half male and half female, the former developed into eleven Vyuhas (manifestations).
Rudra received many adulatory names and many adoring wives: eleven in
all, collectively known as Rudranis. Vayu Purana (Chapter 27) lists only eight
such manifestations (Astamurti) of Rudra.
Bhagavatam: Rudra and his eleven names, and eleven Rudranis, first the male names and later the names of his
wives: (Bhagavatam, third Canto, Chapter 12) Manyu,
Manu, Mahinasa, Mahān,
Siva, Rtadhwaja, Ugrareta,
Bhava, Kāla, Vāmadeva,
Dhrtavrata. The wives are Dhi,
Vrrti, Usana, Uma, Niyut, Sarpi, Ila, Ambika, Iravati, Sudha, and Diksa.
Vayu Prana (Chapter 27) lists only eight manifestations of Rudra (Nila-lohita/dark-blue and red).
|
Name |
Body |
Consort |
Progeny (sons) |
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1. Rudra |
The Sun |
Suvarcala |
Sanaiscara (Saturn) |
|
2. Bhava |
The Waters |
|
Usanas (Venus) |
|
3. Siva/Sarva |
The Earth |
Vikesi |
Angaraka (Mars) |
|
4. Isana |
The Wind |
Siva |
Manojava |
|
5. Pasupati |
The Fire |
Svaha |
Skanda (god of war) |
|
6. Bhima |
The Ether |
Quarters |
Svarga (heaven) |
|
7. Ugra |
The Sacrifices |